According to worship leaders, what are the most important aspects of being a church sound operator?
I’ve been doing an informal survey on this topic, asking worship leaders for their views.
The answers have been surprising, at least to me. For example, to this point not one of them has mentioned that a sound operator should have musical talent. Nor have they brought up the value of having a critical ear when it comes to music.
Maybe it’s my own biases, but I thought these factors would at least rate a mention.
Here’s another one that hasn’t come up: knowing how to properly operate the equipment and system.
Perhaps the worship leaders I’ve surveyed are assuming that a sound person should already have these skills, and therefore haven’t mentioned them. Continue reading “What does a Worship Leader REALLY want? in a Sound Person?”
What can we do to sort it out, meet needs, and help them put on the best performance possible?
The venue where I serve as technical director has recently had a number of touring acts come through.
With each tour, there are always special technical requirements that the artists need, particularly in these tight economic times where few of them are able to travel with everything they need.
The last three events, the venue was responsible for providing the entire house system, and for two of them, I served as the front of house engineer.
When a tour group comes to a venue they never know what they’re going to get. Yes, the rider said six separate wireless in-ear monitor systems, but the venue only has two and is unwilling to rent any more. Yes, the rider said the PA needs to hit peaks of 110 dBA, but the installed system can only hit 95 dBA. I know, I know… Continue reading “Sometimes You Need To Be Able To Dance As Good As (Or Better) Than You Mix”